Another homage to my studio apartment in South Korea. I experienced so much during that year and had some of the highest and lowest points of my life. This tiny apartment with giant windows is where I processed it all.
Shadow and light are a recurring theme in my work. To me they reference absence vs presence, balance and duality. A shadow is evidence of the thing that casts it, but not the thing itself.
Oil on canvas
I've been drawn to art - creating it, looking at it, learning about it - since I was a small child. In elementary school I was a Georgia O'Keefe fan and always the last kid in class still engrossed in the art project while everyone else had moved on to play time.
I earned a BFA in Painting and Drawing and have since continued my creative practice, working mostly in oil paint as well as some encaustic, collage, and mixed media. As I began building a career, I found I was increasingly interested in not only my own art, but the larger role of art and artists in local communities and the world. That interest led me to an MA in Arts Administration and a career in community-based organizations.
As much as I'm excited by other artists, my own work is rooted entirely in my personal, even internal, experiences. I'm nostalgic and motivated by a fear of forgetting. When I look back at my paintings, I'm reminded of not only the memory depicted in the subject matter, but also my own processing of that memory, which happens through the meditative act of painting, getting mixed in with whatever else is churning internally at the time. They're like my personal, layered time capsules.
Given that, I'm always pleasantly surprised when others respond to or identify with my work; it's an amazing way to connect with people. I also love the challenge of interpreting another person's memory, home, or experience, and happily take commissions! Send me a message to inquire.
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_2017-02-21-21-54-14.jpg "New Orleans art Olivia in Treme by artist Queen Hope Parker: Limited Edition Prints")
